Frederick Serafim

Mystical verses flower into an uplifting, melodic chorus, depicting a couple living in the shadows and dealing constructively with inner ghosts and issues.

Pop

Mostly electronic mid tempo tune with vocals and some guitar, written for people who are comfortable feeling excluded from the mainstream world.

#10 in House

Upbeat piano and synth guitar jazz-rock tune regarding life's best approach.

#25 in Jazz General

R&B tune with a breezy, lilting tempo and a exhilarating instrumental bridge, regarding the dire need for international dialogue and goodwill.

R&B/Soul/Pop

A multi-faceted arrangement featuring various mood, key and melody changes, with paradoxically optimistic lyrics, given the over-riding planetary environment.

Rock General

Science fantasy guitar / synth alt pop-rocker, with deeper implications.

Pop Rock No samples

Hard to assign a genre to this multi-mood and melody tune, featuring vocals, piano, dual lead guitars, synths, key changes, and a mostly Latin-ish beat.

#14 in Other Alternative

Although I support the right of nations to control immigration, the harrowing allure is all on the side of the refugees. Hence this song featuring vocals, a driving bass line, some blazing guitar licks, piano and strings.

Rock General

For anyone who's suddenly lost a pet. Great Latin beat with some very sweet lead guitar and vocal duo with Catherine Clarkson.

#6 in Latin Jazz

Rocker anthem featuring a driving bass line, layered guitars and synths and Catherine's heady lyrical edification of my otherwise simple title.

Trap-Pop

Cover of CCR's Fortunate Son, featuring, guitars, piano, horns, synths, bit of electronic...

Cover Songs

Haunting and hard hitting, mostly spoken word hip hop/symphonic rock tune decrying racism and discrimination from the standpoint of a very concerned white man.

Hip Hop General No samples

Acoustic reworking of John Lennon's tune, minus the middle 8, and the title pluralized.

Cover Songs

Classical Crossover tune featuring exotic synths, harmonies and subtle key changes, evolving from mystic mellow to a buoyant R&B instrumental ending.

Contemporary

Art-Rock exploration of mystic experience. Omens, deja vu... have we passed this way before?

Other Alternative

Mystic and majestic, mostly instrumental rock symphonica prelude, with just a few existential lyrics and some improvised horn / violin synth guitar solos.

Contemporary No samples

Upbeat trance featuring a main synth-brass theme and a secondary piano theme which then unite into an ultimate "peace of mind" counterpoint, in the latter part of the track.

Club Beats

Conway Twitty wrote this song in 1958 while living in Hamilton Ontario, walking distance to where I lived years later. He was unknown at that time and his manager sent him to this less competitive medium sized country music mecca to gain experience.

Country-Pop

Solo acoustic version. Sometimes I play this at parties. It's not a song you think of as being suited for acoustic styling, but Springsteen must have played it something like this when he first wrote it. Very important song!

Cover Songs

I used to do a live vocal duet version of this song with the late Catherine Clarkson, using this self-recorded backup track. We never did record the vocal rendition, and so instead I added this improvised lead guitar instrumental.

Beats General